410 Royalty-Free Audio Tracks for "Low Noise"

Realised to my dismay that this sound was not available. A card tapping and scraping on a ceramic plate. Designed to imitate the noise of cocaine being cut up. Recorded on a tascam dr-40 in a 4m square kitchen. Tea towel was placed under the plate to cut out an excessive noise from the plate itself. Recorded with a low frequency cut off at 80hz.

Think maybe a sabbath type of riff, low gain distortion but enough of an edge to call it thick/heavy. Probably better split into a smaller segment. Number 95 – flange harmonics g to d – harmonic noise which you could probably use smaller pieces of to signal an alarm/warning type of sound.

Electric and noisy sound that evokes bad radio transmission or hard drive problem. It was created by the pressure of a iced tea bottle, which let a small air stream escape through the neck. (lot of noise cause the sound was really low). Zoom h5n + sgh6 mic.

A raw audio mp3 recording of a distant chainsaw working to cut down trees, ranging from low to high speeds outside. Includes some background noise of wind. Recorded with a black sony ic digital voice recorder.

Running up stairs - maybe a low shelf here and there will help - definitely a usable recording - nice feel - on a personal note i was very tired at the top - it was 5 flights - tho bad mic handling (removed) on the first few flights.

My roland jupiter 4 with resonance cranked up and filter modulated with lfo by a very low rate. The deep basses at the end of each sweet may be great for deep dub-basses. The sweep sounds great with effects and when gated. Have fun. . .

Shook and opened a 24 bottle of ginger ale and recorded outside with low street noise, i shook up the bottle so it would explode and fizz all over.

Weird sorta lo-fi type of riff which changes to an almost country type of lick, then it changes again near the end. Middle of the road distortion. Might work as a background noise track in smaller segments.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

A natural poot (fart) with a more or less linear shift from higher to lower pitch. Processed with audacity for a more consistent tone and volume.

Guiro sound made of rim shot sound in behringer rd-8 with built-in high pass filter and retrigger with accent. Recorded with zoom h1 at 96khz and 24bits. Filtered of low range noise, tirmmed and normalized in edison in flstudio. Editing made sample 32-bit.

A pluck on a jew's harp. Recorded late at night in my bedroom on a samsung mp3 player. I enhanced it to the best of my abilities in audacity since the original recording had a low bitrate (64kbps mp3), the volume was low and it had a lot of static noise. Unfortunately the recording have a lot less warmth to it than the instrument has in reality. I am not sure of the tone of the harp but i believe it is a c, if it is not please let me know. 1 of 15.

Recorded on tascam dr-05 v2hardly processed ambiences are combined. I recorded and made this for my new game. It's cc0 content, you can use it wherever you want!. Processes. Ambience #1:recorded in my house, low cut @3khz 24db/oct, high cut @12khz 12db/octplug-in polyverse wider - 97%. Ambience #2:recorded alongside of a pond, low cut @500hz 12db/oct, high cut @18khz 12db/octplug-in polyverse wider - 98%.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

A ride/cymbal sound made with sunvox. It's a sampled noise impulse with a certain starting phase sent through a bandpass and then a reverb with a low room size, which acts as a resonator. It then goes through another filter and reverb set, then a compressor.

A ride/cymbal sound made with sunvox. It's a sampled noise impulse with a certain starting phase sent through a bandpass and then a reverb with a low room size, which acts as a resonator. It then goes through another filter and reverb set, then a compressor.

A ride/cymbal sound made with sunvox. It's a sampled noise impulse with a certain starting phase sent through a bandpass and then a reverb with a low room size, which acts as a resonator. It then goes through another filter and reverb set, then a compressor.

I would upgrade my cabin if this was the noise i had to live with. Through film we - know - the space ship background noise. A freighter or a battleship - more noise. Enemy ship even more and strange. . . My noise is from a budget cabin. This is just a background noise. Listen at low volume. This is my submission fordisquiet junto project 0383: interstellar ambiencethe assignment: record the sound of an apartment on a large interstellar ship. More on this 383rd weekly disquiet junto project — interstellar ambience / the assignment: record the sound of an apartment in a large interstellar ship — at:https://disquiet. Com/0383/.

A low-ish quality videogame player eating+burping sound effect made entirely by me. Use it for whatever you would like, go ahead and share the projects you made with it if you wish.

Just waves at the beach. Nightrecording with almost no other noise (no birds, people, cars; removed low frequency wind noise); 48/24-stereorecording with zoom h1, normalized, now in 48/16.

This sample consists of noise recorded via a hondo strat electric guitar resp. The guitar's neck pickup. Throughout the sample there is a low hum. In the beginning, a mobile phone was moved in front of the pickup. The noise might have been created by the clock of the phone's cpu or the backlight of the phone. After that, one crt display is switched on resulting in a buzz. Later on, a second crt display is switched on, again resulting in a buzz followed by additional noise in higher frequencies. Then, a neon light is switched on, creating even more noise. Towards the end, again the mobile phone. . . The guitar was connected to a scott&noble ht25r amplifier which was recorded with a t. Bone sc450 condenser and a behringer ddx3216 digital console directly into ardour.

An up-close recording of a single cricket chirping. I recorded this with a shure beta 57a microphone, at my house, with the mic a few inches away from one of my housemate's crickets (don't ask). I used cubase and izotope denoise to remove noise artifacts, as well as a low-cut to remove unwanted low freqs. Recorded in mono but exported in stereo, so both the left and right audio channels are the same.

Inspired by a discussion on the ambient online forum:https://www. Ambientonline. Org/forum/ambient/sound-design/92341-how-to-synthesize-drum-sounds. Used the subtractor synth from reason. Please refer to the pack description for a full list of the sounds synthesized. Ao_subtractor_snare_2_1. Reason subtractorosc 1 is off (set balance 100% to osc 2 + noise). Osc 2 set to sine wave, oct = 3. Noise decay = 127, noise color = 127, noise level = 127. Filter set to low-pass 12 and completely open (=127). Amp env decay = 44.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Material from a waldorf q processed in live with a waldorf dpole, the uad helios69 eq and neve compressor. Gritty low fi shifting, high frequency lfo on a bpf. Hard digital distortion effects. Highest sample rate and quality of recording for this style of effect.

A long, squeaky, almost metallic-sounding toot that ends in an upsweep to a high pitch. Completely real, processed with audacity for a more consistent tone and volume.

I recorded the rain in brooklyn and wanted to make a blade runner kinda vibe for sleeping, there's a helicopter in there too, i threw in some low-frequency kinda whale/space ship noises.

Trucks being loaded with gravel at newport quay as heard from the other side of the river. Tascam dr-22wl, internal mics, 15hz low cut.

Dark growling drone sound i made on a my behringer model d analog synthesizer, recorded with effects in ableton live. Some processing was done later in adobe audition to finalize it.

Simple type of riff which would work for a beginning or break segment. Low gain type of sounds. Call it garage rock or alternative lo-fi rock. Actually changes into a couple different segments which might be useful.

Sitting on a bench one meter by the lake starnberg, on a windy day in the end of may 2020. Recorded with a zoom h4n pro, internal microphone. Some eq editing to remove low-frequency wind noises.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

I made a tonal quantussy recording. The bass always plays a low c. The 5 tracks are selected from one 15 min long recording. The synth creates defined tracks with different character.

Short sample of an overhead fluorescent tube light in my basement with some low white noise. Loops seamlessly. Recorded with a roland edirol r-09hr and edited in audacity. If you use this sample, please tell me what you did with it below! links are nice too.

Squeaky audio cable-to-speaker incomplete connection. One end is plugged into a speaker and the other is not plugged into anything. The squeaking sound is made from my fingers touching the tip and sides of the metal tip of the non-connected end of the cable. The variation of sound and pitch is from moving my fingers up and down the metal tip in different speeds, angles, and placements. The sound has been slowed way down, and the pitch has been taken way down too, to create a low drone sound for industrial purposes or in mad chemistry lab scenes, etc. Anything with a dark, industrial, and slight sci-fi feels.

It's this sound:http://www. Freesound. Org/people/unfa/sounds/217455/. . . . Pitched down with audacity and truncated. I also made a fade-in and fade-out to ensure no clicks will occur. The preview doesn't sound right (artifacts, distortion), download it to hear the real thing. Also - it's very low frequecy, so use headphones or a woofer, or you might miss it :).

This is the sound of cold winter wind finding its way through the gaps in our living room window. The recording has been edited to remove long stretches of silence, and has had some light noise reduction applied. The noise floor is still quite high though, so maybe best to put this one fairly low in the mix. Recorded using a zoom h2 with its rear mics activated.

The whole precedure: switch-on-klick. Heats up. Hisses with a few nice whistling melodies (from 00:27 on). Boils. Automatic switch off. Close stereo recording (10cm) with sony pcm-10. Pretty low background noise (kitchen ambience).

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

The sounds of a passing thunderstorm from out my back porch in downtown austin. Includes some low and far thunder rumbles, rain drops on asphalt, and far off city noise. Recorded using a sennheiser mke600 directly into audition (dual mono). No processing applied.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

My upstairs neighbor sometimes likes to rhythmically stomp on their floor. I recorded their stomping with low gain and then with high gain, from the living room of my apartment. You'll likely need to perform some noise reduction, especially on the high gain stomps. This was recorded with a blue yeti mic.

These short files are random selections from a 9min composite audio file i put together from an accidental recording made when i left my sony camcorder on in my studio. They are part of the same series posted elsewhere on thefreesoundproject site titled "accidental recordist". There is some hiss/background noise which is part of the street front urban scene of my studio. There are two chimes - one low pitch constructed of four aluminium tubes and wooden clapper (gift) and the high pitch one of small stainless steel discs (purchased in maui from craft shop). I did some basic cleanup of low level background noise and applied plus one level of loudness using adobe soundbooth cs3 to get some clarity.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

A few seconds of mistaken recording in a car. I believe it's radio commentary of a sports game of some kind, but you can't tell what the man is saying.

The mechanical noise and signature "chord" associated with the "mac mini (2010 model)" upon startup/boot. Brief mechanical motor and clicking noises followed by the famed sustained f sharp major chord (detuned 30 cents flat) being projected over low quality, built-in speakers. Mechanical noise has defined pitch and is predominantly in the mid-high frequencies. Recorded on zoom h2n, in small, empty room. Audio clip normalized in post-processing.

Rough clean-up of the sounds :https://freesound. Org/people/yarmonics/sounds/445956/recorded by http://www. Yarmonics. Com/ https://freesound. Org/people/yarmonics/. I deleted parts with handling noise and normalized the sound. For a quick drag and drop in a video editing project and such. It's not perfect and i may have missed some handling noise hence "rough cleanup". But it's a bit better :)if this will be background noise in a video/music, you'll probably lower the volume and the handling noise will become much less apparent. Don't hesitate to eq out the lows too. Fritton lake, norfolk uk. Enjoy.

Thunderstorm aftermath. Sounds of a thunderstorm about 10 minutes after it left the area. So low rumbles and rain dripping. The sound was recorded using a yamaha audiogram6 connected to a radioshack brand vocal microphone. Sampling was done at 44,100hz and the data was recorded using audacity. I recorded everything as a wav file and then uploaded it the same.